![]() It is the first of three stylised burlesques in which Jarry satirises power, greed, and their evil practice – in particular the propensity of the complacent bourgeoisie to abuse the authority engendered by success. ![]() It is a precursor to Dada, Surrealism and the Theatre of the Absurd. It is now seen by some to have opened the door for what became known as modernism in the 20th century. Yeats and the poet and essayist Catulle Mendès, it seemed an event of revolutionary importance, but many were mystified and outraged by the work's seeming childishness, obscenity, and disrespect. To some of those who were in the audience on opening night, including W. It is considered a wild, bizarre and comic play, significant for the way it overturns cultural rules, norms, and conventions. ![]() The play – scheduled for an invited "industry" run-through followed by a single public performance the next night – caused a riotous response in the audience and denunciatory reviews in the days after. ![]() Ubu Roi was first performed in Paris on December 10, 1896, by Aurélien Lugné-Poe's Théâtre de l'Œuvre at Nouveau-Théâtre (today, the Théâtre de Paris), 15, rue Blanche, in the 9th arrondissement. ![]()
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